It would seem a bit off to let the 50^th Anniversary of Dr Who pass, without throwing my tuppence into the arena. I also realise that this is a touchy subject; everyone has their own ‘my Doctor’ and the argument as to which incarnation of the Time Lord is the best is one that tends to get Geeky eyebrows and voices raised. I daresay it’ll continue long after that much-dreaded 12^th regeneration, but I’m going to nail my sonic-screwdriver to the mast and take a stance.

The only way I can do this is on a list and, like the polarity of the neutron flow, I’m going to do it in reverse. As I write this, I can feel myself getting a bit nervous; I’ve had my theories over the years, but been careful not to broadcast them too loudly. Deep breath and here we go:

The Worst to Best Doctors Who

11. Christopher Eccleston: 9^th Doctor. New Who fans are going to hate me for this one but, for my money, the 9^th Doctor was the least convincing of the lot. Don’t get me wrong; when I heard Who was going to be resurrected, I was as excited as anyone else. And then Eccleston turned up and that excitement was instantly exterminated.

My reasons for sticking him last were perfectly summed up by Terry Wogan who, on reviewing an episode said that he thought that the Doctor was supposed to be “the eccentric voice of wisdom and not a psychotic bin-man.” Which kind of nailed it for me. All the rage and grief that the 9^th Doctor was spewing has only really been referenced in retrospect and everyone has very generously said ‘oh, it’s because he’d just finished the Time War and was shell-shocked’ or something. Personally, I think it was down to a bad character-choice on the actor’s part; he’d already said that he was never able to relate to former Doctors, finding them “too foppish”; his desire was to create a Doctor for the working classes. Fair enough, if you’re doing an Earth-bound drama – but he’s an alien. Which leads me to my next whinge:

The accent. Just, no. Any actor who has to have lines written into the script to excuse the fact that he either won’t or can’t use another accent simply isn’t doing his job. Every planet has a North? So, are we expected to believe that all Northern Gallifreyans speak like they’re from Manchester? I’ve nothing against the accent on a human-being, but an alien using it as his native dialect isn’t on. It’s lazy and, in my opinion, disrespectful to the show. And the costume? No. And the stiff-necked grin when Eccleston had to reach down into his boots to drag up the approximation of happiness? No. Fantastic? No.

10. Sylvester McCoy – the 7^th Doctor. It’s really hard to gauge what McCoy did, because the show was a disaster at the time. Even the disco-style theme-tune was enough to make me do what I never thought I would and turn it off. The writing was bad, there was a queue of z-list celebrities waiting to go on it and the monsters were rubbish. And poor old Sylvester had all that to deal with. And he tried, bless him.

He started out badly enough, playing spoons and appearing to be some sort of intergalactic jester. By the time someone realised that a dose of darkness might sort things out, for me, it was too late. There was nothing Lordly about this Doctor. However, when it came to the movie, in which he appeared to pass the torch onto Paul McGann, we got a glimpse of what could’ve been: the spluttering twit had been replaced by a reflective, pottering Gallifreyan with a fierce intelligence. But he did go and pull his trademark gurning face in the regeneration scene, which did annoy me.

9. Paul McGann – the 8^th Doctor. Tough one to judge, because we didn’t see enough of him and I haven’t listened to any of his Big Finish audio adventures. But, at face value, this Doctor was a bit too much of the romantic hero for me; less a cosmic wanderer who’d soaked up the wisdom and knowledge of new and ancient civilizations and more of a frustrated poet. But, I’d like to see him pop up at some point, so we can get a better idea of what he had to offer.

8. Peter Davison – the 5^th Doctor. Another tough one to judge because, in retrospect, I actually quite liked what he did with the character; the air of reckless innocence, the moments of sombreness and the feeling that he was an old being caught in a young body. But the show was too slick at the time; too full of glossy production values that somehow elbowed out the Gothic atmosphere that I’d come to expect from Who. Not Davison’s fault at all – but the Doctor had also become the leader of some sort of interstellar crèche, with Adric, Tegan and Nyssa all squabbling and bubbling in the background. If I’d been the Doctor, I’d have dropped them all off, just to get some peace and quiet.  And I didn’t mind his costume.

7. David Tennant – the 10^th Doctor. Sacrilege, I know! And, believe me, he was such a welcome relief after Ecclestone’s moody posturing. I really liked Tennant’s Doctor to begin with but, after a while, he became a bit of a one-trick pony: goggle-eyed on minute and bemoaning his loneliness the next. But what he did bring back to the show was a sense of humour and the wonder that the Doctor had been missing for a good few incarnations. This Doctor was charming and buoyant, but I got fed up with the idea that he was some sort of Christ-like figure.

6. William Hartnell – the 1^st Doctor. More blasphemy but, to be honest, I haven’t seen enough of this Doctor to form a concrete opinion. What I have seen has been interesting: the cranky old man, both treacherous and generous; the time-traveller who might tear a strip off you for his own selfish reasons and then ask forgiveness later on. Let’s face it; he must’ve been good or the show wouldn’t have survived to go another round. And certainly there was a lot of the Lord to this Time Lord – but he was a bit before my time and not as approachable as I like my Doctors to be.

5. Jon Pertwee – the 3^rd Doctor. I can feel the hate coming at me already. Pertwee was my first Doctor and I had a strong fondness for him. But he wasn’t an alien to me; he was a dashing, swashbuckling professor in velvet. Certainly, he had the Lordly thing in spades, full of grace, poise and that quintessential Englishness that I think is integral to the Doctor’s character. Yet there wasn’t anything alien or that mysterious about him; he was too human. Authoritarian: yes. Sometimes conceited: yes. But alien? Not much. He wasn’t helped by the fact that most of his adventures were Earth-based thanks to those pesky Time Lords meddling with the TARDIS, but Pertwee’s Doctor felt more like something out of an HG Wells novel, than someone from outer space.

4. Colin Baker – the 6^th Doctor. OK…hear me out… I think this Doctor is one of the most underrated in Who history. Baker was an out-and-out Who fan and came to the board with some really interesting ideas. He wanted his Doctor to be pompous, brash, arrogant and filled with his own sense of self-importance. Which, after charging around the universe and saving civilizations by the dozen, seems fair enough to me. I liked the way he swaggered about, looking down his nose at other races; you got a real sense that he was from an advanced society. I also liked the way his temper gave way to bouts of brattishness; this is a guy who’s been his own boss for centuries and not getting your own way must be a real grind if you’ve been used to it for that long.

And, I didn’t mind the costume. I know Baker wanted it to be black to reflect his darker interpretation, but it seemed fitting to me: a sort of preening, intergalactic peacock.

3. Patrick Troughton – the 2^nd Doctor. The cosmic hobo. I really liked him. After the Victorian rule of the 1^st Doctor, Troughton brought a sense of a character was really existing outside of Time itself. From his mop top to his crumpled frock-coat, he seemed to be everything that the 1^st Doctor had been trying to keep a lid on. But Troughton could also play dark; with that craggy face and those burning, baggy eyes, he brought a sense of the unpredictable and danger to the Doctor. On top of that, he also brought a sense of approachability and safety; you just knew that he’d get you out of a scrape, but his rescue would be so last-minute and disorganised that you’d get the full benefit of the adventure before he did.

2. Matt Smith – the 11^th Doctor. “What?” we all cried. “He’s 27?” But Smith has brought something special to the role – elements of Classic Who Doctors and New Who energy. Described by Moffat as a “beautiful giraffe”, he’s gangly, uncoordinated, but with a peculiar grace to him. Plus he’s got the alien thing down to a T: he looks odd, like there’s an old man trying to get out of a young body and it reflects in his performance. He gabbles as though there’s too much information in his head for his mouth to cope with, grins with disarming confidence, but you always get the feeling that there’s something else going on inside that 1,000 year-old bonce. This Doctor is complex and sometimes irritating, but he’s a Gallifreyan, through and through.

1. Tom Baker – the 4^th Doctor. Of course it is. My sadness at losing Pertwee to a race of giant spiders was quickly      replaced by an obsessive need to see what this marble-eyed lunatic was      going to get up to next. Tom Baker was the Doctor, from his sonorous drawl      to his toothy grin. He really looked like he’d been booted out from an      elitist society and was having to get by in his own haphazard fashion. The      TARDIS was his gypsy wagon and he was like a disgraced Oxford professor having to make up his      own rules as he went along. He really was a rootless traveller.

The early part of Tom’s incarnation presented us with the childish, wide-eyed aspect of his character, but this soon gave way to the darker, more serious parts. This was the Doctor you wanted to hang out with, but were never quite sure of what he’d do next. And he got the alien thing going from the start. In fact, I’d go as far as to say that Tom was the first to put the alien imprint on the Doctor; his predecessors had all played aspects of a character, but there was little to tie them to an extra-terrestrial race. And it might be why Who started to flounder after Tom left: he gave us everything we wanted from a Time Lord – humour, seriousness, intelligence, wonder, a slightly skewed moral compass and a sense of being different from everyone around him. Unfortunately, for everyone who came after, it meant that the moment they tried to play the alien aspect, it just looked like a Tom impression. And no-one does alien like Tom Baker.

For me, Baker’s Doctor was The Doctor – often impersonated, but never rivalled. And, if you’ve never seen him in action, my recommendations are: Genesis of the Daleks, Brain of Morbius, Deadly Assassin or the Talons of Weng Chiang.

My hat (and scarf) are firmly in the ring. Tell me how wrong I am; I dare you.

Welcome to the second of my Official Geek Debates, where I throw my hat in the ring and make myself generally unpopular. What I want to do here is try and get closer to resolving some of the bigger issues in Geekdom and where better to start than with a face-off between those two juggernauts of the comic-book world…Marvel and DC.

Meeting Batman for the First Time

I started out on DC, predictably with Batman. Although I was cheerfully soaking up The Beano at the time (I think I was eight or nine), I saw the cover of a Batman comic and had to buy it. If I remember rightly, it showed Batman faced with a pile of fish, bearing the Joker’s trademark grin; the old scoundrel had been poisoningGotham’s water-supply.

From there, I discovered the Green Lantern, Green Arrow, JLA, the Flash and a whole host of other spandex-wearing heroes. They captured my imagination and I even had a little plastic, green ring which I used to pretend was my Lantern Ring. It actually squirted water, which I chucked some food colouring in, just to make it that bit more authentic. Bear in mind, this was the late Seventies; these heroes were lantern-jawed, colourful and with a moral compass that pointed inflexibly North.

And then I discovered Marvel.

You Wouldn’t Like Me when I’m Angry…

My hero was the Hulk. I think he is for a lot of Geeks; he’s the immeasurable rage we all felt in the face of bullying and the ultimate symbol of the misunderstood monster. And then I found Spiderman, Dr Strange, Adam Warlock, the Fantastic Four and my other favourite, the Man Thing. (As a side-note, I have an autograph from Nestor Redondo, who drew Man Thing for a time).

My obsession with the Hulk pretty much took over all my comic-reading. I read Rampage magazine when I could afford it, snapped up the re-releases of the original stories (back when he was grey) and subscribed to the Incredible Hulk Weekly. My romance with DC was forgotten – apart from the Batman, with whom I’d re-establish a relationship in my teens.

So, how come I ditched DC and what makes Marvel, in my eyes, the Comic Book King? After all, they’re both escapist stories about mega-muscled men and zeppelin-boobed women, dressed in questionable costumes with amazing powers, fighting similarly fashion-challenged being with a penchant for world domination. What’s the difference? Let’s have a look…

DC vs. Marvel

For my money, a lot of the differences are perceived, rather than actual – and they all stem from the way these comics started and what they were trying to do; they’ve both cast long shadows over themselves. DC started the ball rolling in the 1940’s and its most groundbreaking character was the blue-boy-scout, himself: Superman. Superman kind of set the template for DC; DC heroes were almost-mythical, legendary heroes, whose powers and feats were way beyond us mere mortals. In many ways, I’ve always thought this type of hero is our modern equivalent of the epic sagas of old; the Viking myths, the Greek legends and the Roman tales. DC heroes were almost god-like, bestriding the Earth and saving us humans from devastation so mind-blowing that there’s no way we could ever contemplate doing it.

Epic Sagas and Modern Gods

Just like Asgard andMount Olympus, DCheroes battled it out in fictional settings, such as Gotham and Metropolis, as though no Earthly city could bear the weight of their being. Sometimes they even zipped off to other planets or alternate dimensions, to go and have a bash at creature so mind-bendingly weird and evil that the Earth itself just couldn’t have handled it. DC created something like High Fantasy in panels, using pen and ink, and gave kids like me the hope that, one day, I might discover I was from Krypton and suddenly jump over the garage in a single bound.

Which did result in me falling off my Space Hopper more than once.

Bringing it Back to Perceived Reality

And then Marvel came along in the 1960’s. But its heroes were different. Where DC took the stance that these beings were heroes first and foremost, Marvel focussed on the lives of ordinary humans who were suddenly blessed or cursed with amazing abilities. These powers had consequences to their daily lives: Gwen Stacy died at the hands of the Green Goblin (or was it Spidey’s fault – another big debate), Betty Ross got caught up in her father’s vendetta against the Hulk and the X-Men found that society wasn’t able to tolerate their mutations. Instead of charging around, firing lasers out of their eyes, Marvel characters tended to wrestle with their powers, having to hide them from their loved ones and keep their identities a watertight secret. And none of them used a pair of glasses to hide their alter-egos.

Marvel spoke to me that much louder because becoming a superhero suddenly seemed infinitely more possible. All I had to do was get caught in the blast of a gamma-bomb or get bitten by a radioactive spider and I could charge around my town, righting wrongs and dispensing justice, Andy-style. My knowledge of science was nil but, at that point in my life, the fact that these heroes had once been real people like me, made the whole thing seem much more achievable. To the point that me and my brother once spent an entire afternoon running around our garden, picking up spiders and trying to get them to bite us and then seeing if we could run up the wall of our house.

If it had worked, I wouldn’t have the time to be writing this post.

It’s an old debate and there’s a whole lot of hoo-ha about the reboots, alternate universes and the way some characters have died-but-not-really and it’s split a world of comic fans. But, for my money, I can only rely on what comics meant to me when the world was a bigger and brighter place. For nine or ten year-old me, Marvel had it going on in spades and was responsible for my short-lived career as Devon’s only superhero, The Night Creeper.

But that’s another story (although I must thank my mum for making that mask…)

It’s that age-old question; the one that’s bothered Geeks and Nerds since the genres became established. But I’m not talking about the films; I’m talking about books. Most fans of either camp seem to be able to dip into films about their literary nemesis with no problem at all. But, chuck a sci fi book at a swords and sorcery head or a fantasy novel at a ray-guns and gadgets geek, then you’ve got problems.

I know which camp I sit in: I’ll take a wizard over a robot, any day of the week. So, I suppose this post is less about sci fi versus fantasy and why I’ll cheerfully talk Tolkien, but I’ve had enough of Asimov.

Probabilities and Improbabilities

There’s been a lot of conjecture over what separates what, on the surface, appear to be two forms of escapism. One of the most-widely quoted definitions belongs to Miriam Allen deFord. DeFord was an American journalist-turned-writer, who was the author of a good few sci-fi books. Her thought was that “science fiction consists of improbable possibilities, fantasy of implausible possibilities.” It’s not an easy one to argue with but, for me, it doesn’t tick all the boxes.

I’ve done my time on sci fi; I’ve read Scott Card, Asimov, M Banks and others but – and I don’t mean any disrespect to their word – I’ve never come away feeling as satisfied as I have when I’ve read Tolkien, Donaldson, Stroud or anything that’s got a wizard and some swords in it. And preferably a shadowy bad buy with more powers up his sleeve than you could shake a staff at. But why should that be any different to reading about something futuristic? It’s all escapism, isn’t it?

Similarities

I suppose, for me, the difference lies in how the characters get to interact with the worlds they exist in. In the wacky world of fantasy, there are usually a few life-restoring berries to fall back on or some magical elixir to pull you out of trouble – just as in sci fi, you get genetically-engineered cures and rare-but-accessible antidotes. On a first view, there are some similarities, albeit in different guises.

Differences

But the real difference – and, again, it’s only how I perceive it – is the stuff that defines each genre: magic and science – and that has to have an effect on how we see the characters. When a character uses magic, it usually involves them having to reach deep down inside them and connect with some hidden aspect of their being; their strength, their courage or maybe their love for the world around them. In the Chronicles of Thomas Covenant, the lead character – possibly one of the most miserable, self-pitying characters you’re ever likely to come across – has to learn to control his magical abilities, which are almost an analogy for his self-loathing. As his anger dissipates and his recognition of The Land as a place for healing takes its place, his powers become easier to master. I loved those books.

In sci fi, the leads tend to have to use solutions outside of themselves in order to solve the problem at hand. Sure, they might have to think of it, write the formula or whatever, but the ultimate solution to their situation will be technological or algorithmic. In Neuromancer, Henry Case has to ascend through various levels of cyberspace in order to reclaim his status as the ‘console cowboy’. The central problem is the revelation of a password but, once Chase gets it, you know that all will be well. I admired the writing, but the environment just left me feeling like I’d absorbed too much data.

Within and Without

So, I think that’s why I like fantasy more than sci fi; fantasy seems to me to be about the power within while sci fi seems to be about the power without. And I guess I’m one of those people who’d like a bit more inner power.

Let the shooting begin; I’m off to watch Star Trek. Whilst reading a bit of Lord of the Rings on the sly.